نتایج آزمون کاردانی به کارشناسی در سازمان سنجش آموزش كشور

با آرزوی قبولی تک تک شما عزیزان

تاريخ نتايج اوليه و هم چنين نحوه تكميل فرم  انتخاب رشته‌هاي تحصيلي اينترنتي  براي آن دسته از داوطلباني كه مجاز به انتخاب رشته هاي تحصيلي درآزمون كارداني به كارشناسي ناپيوسته سال 1388 مي‌شوند.

    
سازمان سنجش آموزش كشور ضمن آرزوي موفقيت براي خواهران و برادران داوطلب شركت‌كننده در آزمون پذيرش دانشجو از دوره كارداني به دوره كارشناسي ناپيوسته سال 1388، بدين‌وسيله به اطلاع داوطلبان مذكور مي‌رساند كه نتيجة اوليه آزمون به صورت كارنامه تنظيم و كارنامه مذكور ، از ساعت 18 (شش بعد از ظهر) روز يكشنبه 1/6/88 بر روي  سايت سازمان سنجش آموزش كشور به نشاني
www.sanjesh.org   قرار داده مي‌شود. هر يك از داوطلبان شركت‌كننده در آزمون مي‌توانند از ساعت 18 (6 بعد از ظهر) روز يكشنبه 1/6/88 به منظور اطلاع از نتيجه آزمون خود و مشاهده كارنامه نتايج اوليه و پرينت از آن به سايت سازمان سنجش آموزش كشور مراجعه و با وارد نمودن شماره پرونده و اطلاعات كارت اعتباري ثبت نام ، يا شماره پرونده ، كد رهگيري زمان ثبت نام و شماره شناسنامه و يا شماره داوطلبي ، نام خانوادگي ، نام ، شماره شناسنامه و تاريخ تولد اقدام نمايند.

ادامه نوشته

تعریف معماری از نگاه معماران نامی

تعریف معماری از نگاه معماران نامی

       lecorbusier.jpg   

 

ادامه نوشته

Monolab’s High Rise Tower

Monolab’s High Rise Tower

ادامه نوشته

ThyssenKrupp Elevator Competition / RSVP

ThyssenKrupp Elevator Competition / RSVP

 
 
Our friends from RSVP Architects just shared with us their proposal for the ThyssenKrupp Elevator competition in Za’abeel Park, Dubai.  The tower seems to morph out of the water and into the air, creating a structure that acts as a monument during the day, and an icon during the night.
More images and further project description after the break.
The architects explained, “The overall form evolves out of a seashell or oyster shape that keeps turning towards the sky as if the forces of the water and the wind had collaborated in this architectural metamorphosis, where the vertical element removes a pearl from the oyster and places it high above ground as the precious object to be contemplated and occupied, the end of a journey where one is finally able to contemplate a view of the entire city.”
Programmatically, the building is arranged with conference rooms and a children’s library in the lower sections, and the raised restaurant toward the top.  While Dubai is famous for gaining land from the ocean, here the site is flooded to create a park around a lake and an aquarium that is part of the main project circulation.
The 170m twisting tower is supported by a diagonal steel mesh.  Due to its form, the tower is viewed differently depending upon the viewers’ perspective.  During the day, the sky becomes an integral part of the facade, while at night, it is illuminated like an “impressive and dynamic lighthouse” representing Dubai’s momentum and aspirations. The panoramic elevator becomes the key element in the procession upward where the sky is constantly providing the backdrop and the wind can easily flow through the structure.
 
 
 

 

Designing in Teheran / Grzegorz Witold Woronowicz

Designing in Teheran / Grzegorz Witold Woronowicz

ادامه نوشته

Mixed Use Tower / Moho Architects

Mixed Use Tower / Moho Architects

Spanish firm Moho Architects are currently in the schematic design phase of a mixed use tower for San Jose, Costa Rica.  The tower, whose programmatic elements will range from commercial and retail spaces to offices and hotels, aims to create a strong model of sustainability for the region that will promote eco-friendliness.
More images and more about the tower after the break.
 
The building’s form is conceived of as independent strips that begin to peel away from each other as the tower rises.  Voids are punched through the form to create viewing platforms and a space to add greenery.   The shifting of these strips allows natural light to flood the interior spaces and nurture the vegetated sky courts.
The façade’s wooden brise-soleil filters solar gain while its layered composition reduces the air-conditioning load.   Since the design allows so much light to pass through the space, the need for artificial lighting is nearly eliminated.  By providing a variety of activities in one building, the reliance on transportation is reduced dramatically since both day and night time activities reside in one area.
It is the hope that after this tower is constructed, its success will promote the notion of incorporating sustainable ideas into all structures in the area.
As seen on designboom.  Images courtesy of the studio.
General Information
Location:  Bulevar Las Américas, Sabana Norte, San José, Costa Rica.
Architecture: Moho architects.
Built surface:   28.000  sqm
Preliminary drawings: December 2008

 

Erika Mann Elementary School / Die Baupiloten

Erika Mann Elementary School / Die Baupiloten

 

Architects: Die Baupiloten
Location: Berlin, Germany
Client:
Stattbau Berlin - Stadtentwicklungsge sellschaft mbH
Project Team: Maximilian Assfalg, Ania Busiakiewicz, Andrea Ceaser, Fee Kyriakopoulos, Ansgar Schmitter, Irmtraut Schulze, Thilo Reich, Wojciech Wojakowski
Sponsors: Baustoffhandel Mammitzsch, Eternit, Eurostahl, Follenius und Martin Tischlerei, GLS Bank Bochum, Firma Transresch, Bristol Kempinski Hotelkette, Essensanbieter Luna and Ridi Leuchten
Project year: 2006-2007
Photographs:
Jan Bitter
 
 
The Baupiloten are a group of students at the Institute for Architecture within the Berlin Technical University’s Department for Planning, Construction, and the Environment. Under the leadership of architect Susanne Hofmann AA dipl, the Baupiloten conduct their studies through the realization of actual building measures. The students experience the architectural curriculum as a praxis-oriented ideal and take part in all phases of design and construction.

“The Snuffle of the Silver Dragon”

The Baupiloten create an all-day “home-away-from- home” for grade-schoolers
Following the successful modernization of the Erika-Mann Elementary School in the Utrechter Strasse 25/27 - 13347 Berlin, the Baupiloten have now designed the building’s interior for all-day use. With new seating-landscapes and worlds of recreation, the Baupiloten - together with the schoolchildren - expanded upon the concept of a comfortable learning environment to include the school’s hallways and classrooms. Until recently, the hallways of the school building (designed by Ludwig Hoffmann in 1915) embodied the sterile and authoritarian educational atmosphere of the early 20th century. In their redesign, the hallways were made to suit modern educational concepts of a “rhythmic” learning atmosphere, thereby serving the current need for communal areas of varied use.

program axo

“Form Follows Kids’ Fiction”

Working together with the Baupiloten in a series of workshops, the students created fantastical and poetic worlds, culminating in the fictive “Snuffle of the Silver Dragon”. This was a further development of the “Silver Dragon World” created in the school’s hallways in 2003. The “Snuffle of the Silver Dragon”, a veil covering the floors and ceilings of the schools 3 upper stories, functions (depending on weather conditions) as a brilliant light filter.

Children as Designers of their Worlds

Beyond the collaborative process, children should be able to form their daily environment - not only suggestively in the form of ideas, but as actual co-designers of their world. In the school’s three upper stories, a seating landscape was created in a series of openings contained within the “Snuffle of the Silver Dragon”. In these openings, the children can relax upon soft, warm materials. The landscape is composed of five modules: couches, caverns, lairs, pedestals, and tables with fold-out benches. These modules allow the children to test their bodies and find the most comfortable position in which to learn or play, without having to conform to seating norms. The children can communicate via the “Snuffle Beatle”, a total of 34 reflectors placed around the building.

The “Snuffle Garden” on the schools second story offers a series of horizontal and sloped surfaces on which the children can lay, sit, or slide. Particles such as the “Wings” and “Fireflower” float inside the “Snuffle of the Silver Dragon”. The particles are fold-out chairs and sculptures on which the children sit or retreat into - either together or on their own. Warm rays of light shine into the particles from the ceiling, covering the seats in a golden glow.
The hidden “Dragon’s Treasure” is also located on this story. The children decorate its magnetic walls with colorful mosaics that can be changed however they please. On the 3rd story, the “Snuffle of the Silver Dragon” is entangled within the Kaleidoscope. A gallery of mirrors optically dissolves the geometrical space; the walls and ceilings of the hallway are equipped with highly reflective field of metal panels, penetrated only by a collection of images composed of 270 picture frames. The children decorate the picture collection with their own creations, allowing their images to be endlessly reflected and providing for a constant change in spatial perception.

The “Chill Room”, also located on the third story, is a landscape of seating-pedestals covered with foam, tarp, and various textiles. A series of one-meter high “Petals” form a protective island around the pedestals, large enough for two to three children. These protective islands are made of wooden frames and can be individually formed by the children. Thus, the children are able to form their own environment according to their wishes through the manipulation of sound, light, and laminate.

 

   

Site One / Elenberg Fraser

Site One / Elenberg Fraser

© Tony Miller

Architects: Elenberg Fraser Architecture
Location: Melbourne, Victoria, Australia
Project Management: Baracon
Civil Engineering: Reeds Consulting
Structural Engineering: Robert Bird & Partners
Services Engineering: Norman Disney & Young
Building Surveyor: Garden Group
Fire Engineer: Umow Lai & Associates
Acoustic Engineering: Marshall Day
Wind Engineering: Mel Consultants
Environmental Engineering: ERM
Quantity Surveyors: Slattery Australia
Land Surveyor: Reeds Australia
Geotechnical Engineering: Golders Associates
Project year: 2007
Client: Pan Urban
Photographs: Tony Miller
 
© Tony Miller © Tony Miller © Tony Miller © Tony Miller
 
Built on a highly visible corner site in Melbourne’s Docklands, Site One is a six level commercial building mixing commercial office tenancies, flexible and fully serviced business facilities, and sohos (small office home office) that provide work/ live opportunities.

Completing the Base

The building anchors its edges to Bourke St and Stadium Drive, stepping back across the frontage to align at the top with the Watergate Towers. This completes the geometry of the block, and provides a commercial supplement to the residential program of the adjacent Watergate.

 

ground floor plan

Urban landscape oasis

The main building entry is from Stadium Drive via an open landscaped forecourt, which runs deep into the building via the main lobby. The forecourt is accessed across tenancies on two of its edges and the lobby along its internal face. The courtyard is the focus of the stepping roof form and the terraces. The network of stainless cables that wrap in and over the building, form a rich multi-levelled landscape and recreational space.

Network of movement referencing the historical

Site One is held back from the western boundary of the site to create an arcade space which spans the site. The incorporation of this connection establishes a historically Melbourne sense of the movement network of arcades, laneways and alleys. This also encourages movement across the site from Stadium Drive to Bourke St and the Docklands waterfront beyond. The north-south arcade links into the main lobby to form a network of vertical voids running across the site, collecting the circulation and entries to the commercial suites. In addition this void network forms fresh air ‘ducts’ across the site for ventilation, giving the arcade a sense of both the internal and the external.

© Tony Miller

The Program

Site One comprises 14 retail tenancies to the ground floor, 24 serviced office suites, 29 strata offices and 73 sohos to the upper levels. Facilities within the building at ground level add retail and café functions to the wider precinct, enabling surrounding building occupants to use, enjoy and move through the site on a daily basis and add to the public experience of the site. The Business Club is located within level 1 and comprises integrated business facilities such as secretarial and printing services, meeting and board room facilities and informal and presentation lounges. The sohos are fully wired for high bandwidth cabling, and incorporate wi-fi LAN connections. Up-to-date databased website services are also provided with R&D and technical support for all businesses within Site One.

© Tony Miller

The project brings integrated ESD initiatives to the small commercial tenancy. Glazed arcades and full height voids are utilised as fresh air, supply and exhaust ‘ducts’ to the individual offi ce shells. This also provides natural ventilation to public areas, ensuring temperature comfort levels are maintained in all public and private spaces. The building façade incorporates operable sections of glazing to aid passive ventilation.
Site One presents a fl exible commercial model to the Docklands precinct, referencing a fi ner grain of urban experience that is historically very Melbourne, through an iconic building that is ‘in and of’ its site.

Fix up, look sharp

Fix up, look sharp...

 

 
 Alice Tully Hall proves to be a showstopper

The re-design of Alice Tully Hall is intended to transform the venue from a good multi-purpose hall into a premiere chamber music venue with street identity and upgraded functionality for all performance needs. Tucked under The Juilliard School, the opaque base of Pietro Belluschi's building is stripped away to reveal the hall's outer shell. The sloped underside of Juilliard's expansion serves as the canopy framing the hall, its expanded lobby and box office. A shear one-way cable net glass façade puts the hall on display.

A commonly held opinion about the hall interior is that it lacks intimacy, a quality most valued for a chamber music venue. “Intimacy” is interpreted as an acoustic and visual pursuit. A partial box-in-box construction isolates the hall from the vibration from the 7th Avenue subway and a new high performance inner liner is acoustically engineered to distribute sound evenly throughout the house. The liner of African moabi is tailored around all existing hall features and new programmatic elements, eliminating all visual noise that distracts the audience from the performance. Illumination emerges from the wood skin much the way a bioluminescent marine organism exudes an internal glow. A percentage of the wood liner is constructed of translucent custom-molded resin panels surfaced in veneer to match and blend seamlessly with the wood, binding the house and stage with light. Like the raising of a chandelier or the parting of a curtain signaling the start of performance, the blush will be part of the performance choreography; a hush will fall in the seconds of transition from distraction to attention when the blushing walls will be the first performer.

Diller Scofidio + Renfro in collaboration with FXFOWLE